Betsy Palmer “A Scream Queen Legend in Her Own Words”. Digital Films Distribution. (Available for purchase at Amazon.Com) Reviewed by Brian Kirst
Those lucky enough to meet actress Betsy Palmer (AKA Mama Voorhees – as if you didn’t already know) in person often find themselves inundated with information. Mention her production of Countess Dracula in 1979, at the Studio Arena Theatre in Buffalo, and she’ll blush with love for that particular role and then swiftly reminisce about how she had to make the quickest and most difficult costume changes ever imagined during its run. Produce a leggy, cheesecake photo for her to sign and she’ll remember how all the young starlets in the 1950’s, no matter how serious their intentions, were required to pose for such seductive publicity images. Enquire about her long run as a game show guest during television’s golden years and she’ll relate how she never got to see herself in any of those productions as they were all performed live.
For those who haven’t made Ms. Palmer’s acquaintance -and even for those who have, director S. Shane Marr has done the world a great service by producing Betsy Palmer “A Scream Queen Legend in Her Own Words”. Marr, who worked with Palmer on the forthcoming Bell Witch:The Movie, was so enchanted by Palmer’s show biz stories that he ingeniously decided to have her sit before his camera and talk to it as if it were an eager new friend.
We get the familiar Friday the 13th story. Palmer’s car broke down and needing the $10,000, she accepted the role of Mrs. Voorhees even though she hated the script. Palmer delights in the irony that while this killer mommy is her best known role, her decision was initially made because she thought that no one would ever see the film. It is interesting to watch her make sense of her place in film history and hear her analyzing the appeal of her most popular character.
More than that, we learn of Palmer’s humble beginnings and her gradual indoctrination into an acting career. She regales us with stories of working with famed director John Ford and the behind the scenes controversies of one of her earliest, best known films Mister Roberts. We are, also, told that she actually got along with the combative Joan Crawford on the set of their film Queen Bee. One of the most interesting stories is about her adventures making the obscure, low budget The True Story of Lynn Stuart with Hawaii Five-0′s Jack Lord. Apparently, the real Lynn Stuart visited the set and brought more attention to her presence by elaborately masking herself then if she had just shown up and silently observed.
It would have been nice to have learned something about Palmer’s other genre credits (1999’s The Fear: Resurrection and 2005’s Penny Dreadful) yet she does speak glowingly of the upcoming Bell Witch: The Movie and of her hopes to be involved in any sequels.
Overall, Marr allows us to see Palmer as she truly is – both warm and sharply inviting. She ultimately proves herself to be that lively aunt or grandmotherly figure that has lived a life that most could only dream of.